A lovely, haunting meditation on human connection and disconnection, performed in complete collaboration with the audience.
The Fever tests the limits of individual and collective responsibility, and our willingness to be there for one another. Performed in complete collaboration with the audience, The Fever examines how we assemble, organize and care for the bodies around us. Who will you be when our eyes are on you? What will we see when we all look your way?
Originally commissioned by The Public Theater
“One of New York’s best nontraditional companies” – The New Yorker
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600 HIGHWAYMEN (moniker for artists Abigail Browde & Michael Silverstone) constructs expansive performances that illuminate the inherent poignancy and theatricality of people together — exploring a radical approach to making live art, and constructing events that create intimacy among strangers. Developed using creative methods ranging from the mainstream to the peculiar, their work is a rigorously tuned investigation of presence and humanity — not only in performance, but in process and aftermath.
“A lovely, haunting meditation on human connection, and disconnection … a poetic evocation of our mostly unspoken — and un-called-upon — dependence on one another.” – The New York Times
Exploding the form of an opera, a mesmerizing theatrical work of rare power and beauty that reveals deep insights on gender, race and the future of human civilization.
Olivier Kemeid’s version of Virgil’s classic tale shifts Aeneas’s search for a homeland into the modern world of revolution and migration.
A new ensemble work choreographed by Aakash Odedra exploring the relevance of a life in conflict.