Join violinist and oudist, Simon Shaheen as he shares insights on music of the Golden Age of Arab Cinema. Participants will be introduced to some of the key figures of Arab cinema and will discuss how film surpassed the music industry in the Arab world.
A Palestinian, born in the village of Tarshiha in the Galilee in 1955, Shaheen’s childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master ‘oud player. “Learning to play on the oud from my father was the most powerful influence in my musical life,” Shaheen recalls. He began playing on the ‘oud at the age of five, and a year later studying violin at the Conservatory for Western Classical Music in Jerusalem. “When I held and played these instruments, they felt like an extension of my arms.”
After graduating from the Academy of Music in Jerusalem in 1978, Shaheen was appointed its instructor of Arab music, performance, and theory. Two years later he moved to New York City to complete his graduate studies in performance at the Manhattan School of Music, and later in performance and music education at Columbia University.
In 1982, Shaheen formed the Near Eastern Music Ensemble in New York, establishing a group that would perform the highest standard of traditional Arab music. This time also marked the beginning of Shaheen’s workshops and lecture/demonstrations in schools, colleges, and universities to educate the younger generation. As a champion and guardian of Arab music, Shaheen still devotes almost fifty percent of his time to working with schools and universities, including Julliard, Columbia, Princeton, Brown, Harvard, Yale, University of California in San Diego, University of Michigan in Ann Arbor and many others.
His concert credits are a veritable compendium of the world’s greatest venues: Carnegie Hall, Kennedy Center, Cairo’s Opera House, Theatre de la Ville in Beirut, and Belgium’s Le Palais des Arts. In May of 2004, Shaheen appeared at Quincy Jones’ “We Are The Future,” fundraising concert in Rome in front of a half million strong crowd.
As a composer, Shaheen has received grants from the National Endowment for the Arts, the New York State Council on the Arts, Meet the Composer, the Jerome Foundation, Continental Harmony, and Yellow Springs Institute. In addition to his recorded work, his theatrical repertoire includes Majnun Layla, (performances included the Kennedy Center in Washington DC, and The Museum of Natural History in New York), The Book and the Stranger (from Kalilah Wa-Dimanah), Possible City, and Collateral Damage with actress Vanessa Redgrave.
He has also written the music for the documentary of the British Museum’s Egyptian collection, which has toured U.S. museums.
Since 1994, Shaheen has produced the Annual Arab Festival of Arts, called “Mahrajan al-Fan.” Held in New York, the festival showcases the work of the finest Arab artists, while presenting the scope, depth and quality of Arab culture. To continue this exposure to Arab music and culture, Shaheen founded the Annual Arabic Music Retreat in 1997. Held each summer at Mount Holyoke College, this weeklong intensive program of Arabic music studies draws participants from the U.S. and abroad.
For the past six years, though, Shaheen has focused much of his energies on Qantara. The band, whose name means arch in Arabic, brings to life Shaheen’s vision for the unbridled fusion of Arab, jazz, Western classical, and Latin American music, a perfect alchemy for music to transcend the boundaries of genre and geography.
This is a past event