Tough jungle rhythms, dub basslines, wild guitar, and forceful high-speed raps drawn from South Asian roots
Asian Dub Foundation are a genre unto themselves. Their combination of tough jungle rhythms, dub basslines, wild guitar, and forceful high-speed raps, overlaid by references to their South Asian roots has established the group as notorious in the live circuit.
In 2019, ADF reissued their Mercury Prize-nominated 1998 classic, Rafi’s Revenge garnering ecstatic reviews and the messages within it seeming as relevant today as the day they were written. The group released their ninth studio album, Access Denied, in 2020 The album showcases ADF in full-spectrum mode; with tracks going from tough, jungle punk to meditative orchestras.
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In fighting hard against racism and for natural justice, the five-piece band has been Britain’s spiritual heir to the combative conscience of The Clash. – The Sydney Morning Herald
Asian Dub Foundation
Asian Dub Foundation (ADF) are a genre unto themselves. Their unique combination of tough jungle rhythms, dub bass lines and wild guitar overlaid by references to their South Asian roots and high-speed rap has established them as one of the best live bands in the world. During their long and productive career Asian Dub Foundation have shared the stage with the likes of Rage Against The Machine, the Beastie Boys and Primal Scream also collaborating on record with the likes of Radiohead, Sinead O’ Connor, Iggy Pop and Chuck D.
The story began in the early 90’s when ADF formed from a music workshop in East London at the institution which is their spiritual home, Community Music. Their unique beginnings in a music workshop in east London marked out both their sound and their wider educational aspirations, as showed by their early involvements with Roma Youth in Budapest, hooking up with the legendary Afro Reggae in the favelas of Rio, and setting up their own education organization ADF Education (ADFED), not to mention their campaigns on behalf of those suffering miscarriages of justice. Building a solid live reputation in the mid-90’s, particularly in France, they eventually established themselves as an important worldwide force and particularly as an explosive alternative to the backward-looking obsession with Britpop in the UK.
In addition to their blistering live reputation ADF were one of the first bands to experiment with the now more commonplace live film re-score, beginning with their rapturously-received interpretation of the French classic La Haine back in 2001. They’ve continued to perform said project or nearly two decades, taking in David Bowie’s Meltdown at London’s South Bank. They’ve also rescored George Lucas’ debut THX 1138 (with encouragement from Mr. Lucas himself) and they’ve recently revived their explosive live interpretation to the continually relevant Battle of Algiers at the Museum of Immigration in Paris.
It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band released their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mindlock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guest spots from Greta Thunberg, incendiary Palestinian shamstep warriors 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation kicks harder and higher than ever.
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